国庆展览|阿姆斯特丹橱窗艺术的执牛耳者:黄清石OeyTjengSit

点击数:1363 更新时间:2017-10-09 09:36:51 来源: 厦门生活、逛路岛_逛鹭岛-返回

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黄 清 石
Oey Tjeng Sit

开幕:2017年9月30日周六下午五时
展期:2017年9月30日至10月28日
开馆:周二至周六 13.00至17.30
地址:厦门市思明南路400号三楼中国欧洲艺术中心

Opening: Saturday at 5 PM September 30, 2017
Duration: September 30 till October 28, 2017
Open: Tuesday to Saturday 13.00 till 17.30
Venue: Chinese European Art Center, 3rd Floor, Siming South Road 400, Xiamen

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我们知道,艺术通常是放在美术馆、博物馆或者某个公共空间展示的,而非在一个药店。但这就是Oey Tjeng Sit所做的。20世纪70年代,他在阿姆斯特丹开药店赚钱,同时也展出自己或其他人的艺术作品。这就让他从需要受博物馆馆长或美术馆所有者所制定规则约束的艺术世界中独立了出来。从这个角度而言,他是个自由人。

We know that art is usually shown in an art gallery. Or in a museum. Or in a public space. But not in a pharmacy. And that's exactly what Oey Tjeng Sit did. During the 1970's he earned money with running a pharmacy in Amsterdam, The Netherlands, while showing art he or others had made. It made him independent from the art world that demands abidance by rules set by museum directors or gallery owners. In this respect he was a free man.

Oey的父亲出生在福建地区,后移居印尼,成了一个成功的商人。他贩卖的东西无所不包,小到肥皂,大到棺木。20世纪初,Oey Tjeng Sit就成长在这样的中国家庭,他母亲对于魔法,或者印尼所说的“隐藏的力量”有着深厚的兴趣。但Oey对此毫无兴趣。他梦想着去巴黎,那个毕加索和达达运动一度兴盛的地方。超现实主义对他最有吸引力,他想成为一名艺术家,创作超现实主义风格的绘画。他父亲于20世纪30年代去世之后,他决定移居欧洲。因为印尼曾是荷兰殖民地,荷兰就成了他生活的第一个国家。他最终没有在巴黎度过余生。二战爆发后,他不得不终止他的药学学习。有一段时间,他担心被纳粹逮捕躲了起来,因为他看上去不像典型的雅利安人。但是与一群德国士兵的街头偶遇让他大为震惊:士兵们以为他是日本人,对他礼遇有加。

Oey's father was born in the Fujian region. He moved to Indonesia and became a succesful businessman, selling everything from soap to coffins. Here, Oey Tjeng Sit grew up in the beginning of the twentieth century in a Chinese family where his mother had a deep interest for magic, 'The hidden force', as it is called in Indonesia. But Oey didn't like it; he was drawn to the rational culture of the west with its tradition of the enlightenment. He dreamt of Paris, where Picasso and the Dada movement thrived. Surrealism fascinated him in particular, and he wanted to become an artist, producing paintings and drawings in a surrealist style. When his father died in the 1930's he decided to move to Europe and since Indonesia had a colonial tie to Holland, that was the country where he started. He did not end up in Paris; the second world war broke out and he had to halt his pharmacy study. For a while, he went into hiding because he was afraid to be arrested by the Nazis as his looks weren't particularly Aryan. But an accidental encounter with a group of German soldiers in the street brought a surprise: the soldiers greeted him warmly because they thought he was Japanese.

尽管总体而言,西方的价值观根植于Oey,他的主导思维依旧是东方的。他的作品从最开始的超现实主义本质转变为更为抽象的书法风格。他被中国文化深深吸引,尽管他从没来过中国。他图书馆的书架上放满了无数关于中国文化和历史的书籍。有朝一日能走访他的故土是他长期以来的夙愿。但是他做不到了。他在阿姆斯特丹街头骑自行车时死于一场车祸。而今,他的作品达成了这一旅途。

While Oey generally incorporated western values his state of mind remained predominantly eastern. His work turned from its initial surrealist nature to a more abstract calligraphical style. He felt strongly attracted to Chinese culture although he had never been to China. The shelves in his library were filled with numerous books about the culture and the history of the country. It was his longtime wish to visit his fatherland some day. But he never did. He was killed in a traffic accident on the streets of Amsterdam while he was riding his bicycle. Now his work has made that journey.

Alexander
10.9.2017

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